I'm an organist at a church with a three manual and pedal pipe organ which has been "midi-ied" and which can both transmit and receive midi data on all four keyboards. The top manual, the "swell," is hard-wired to send and receive midi data on midi channel 1. The middle manual, the "great," sends and receives on channel 2. The bottom manual, the "choir" is set to channel 3, and the pedals send and receive on midi channel ...more »
It would be great to be able to remap pitches arbitrarily, both on a staff basis and on a note-by-note basis. Basically, Sibelius could let you inspect a note and change its sounding pitch to something else entirely, and it should also be possible to write a plug-in that will change the pitch programmatically. The use case would be for retuning notes beyond the limit of the MIDI pitch bend, and it should be an easy ...more »
For musicians who use a MIDI keyboard for note entry, it would be a great boon to be able to work the entire note entry from that keyboard instead of using the Keypad for note durations, articulations and accidentals. I guess that it would speed up greatly note entry and reduce errors.
When using the term "reggae" as Tempo Text, playback results in notes either being cut off prematurely or not sounded at all, probably due to MIDI overlap. This only happens when two notes are the same pitch, as in bar 6 of the attached file. Removal of the Tempo Text results in normal playback.
In addition to adjusting durations of legato patches, also include notation start times relative to the notated time as a lot of sample libraries are based on starting the following note slightly AHEAD of the beat so that the slur/slide happens first and then the note lands on the notated pitch on the beat. By only adjusting the duration, notes sound like they are a little late and playback sounds off. Also have the ...more »
Would it be possible to play the notes in and play "click" using your pedal or keyboard key, similar to Finale. I would then just play the notes as slowly as needed and tap to the beats, because I know what I want to play in. This would speed up the input considerably.
*TAP* ta-da *TAP* ta-da-dah *TAP* ta-daaaa-dah etc.
I will admit that I am lousy at following a metronome. I also like to improvise and would love to turn improvisations into usable scores, even if just for my own reference. So here's my simple method (simple for the user, not necessarily simple to implement): Use flexi-time to record the notes, as usual, but then provide a way to manually mark the beats. In one possible implementation, there would a special "correction" ...more »
Right now (V8.6.1) the playback dictionary only allows Sound ID changes. That's fine for people who are using Sibelius Sounds or have spent the hours and hours to create custom sound id's (if even possible). However, most sample libraries rely on program changes, CC messages and/or keyswitches. Please add those three options to the articulations tab in the playback dictionary. Please!! The staff text tab already ...more »
I often play my MIDI keyboard to test out variations of a composition. Once I have something I like, I enter the passage with the keyboard. In MuseScore, the MIDI keyboard takes on the sound of whatever instrument is selected (or was last selected), but note entry occurs only by explicitly turning on note entry. In Sibelius, I have to remember to hit ESC each time I test out a part. If I forget, notes get entered into ...more »
Although Sibelius emphasize "Human Playback style". Sibelius does not even have common "Piano roll Editor". So, I suggest "Sequencer Overlay". As you know, Standard Notation can not express the actual Velocity, Duration, Start Point, End Point Etc. Sequencer Overlay will strengthen Humanize further. And It is more intuitive and convenient to users. I hope Sibelius will have the MIDI Sequencing ability in the future. If ...more »
Midi routing is hard to learn for each program, so if Sibelius and Pro Tools had the same Mixer with identical Midi/Audio routing principals it would be perfect! Not only You learn one and know how to work in PT AND Sibelius, but more: we should be able to exchange templates from each of the two programs to the other. So this also means, that PT should consider a better method for triggering sounds by articulation ...more »